OFFICE Kersten Geers David Van Severen, OASES, 2012-13, Palms, shrubs, sand, steel concrete, three pavilions, image courtesy of Sharjah Art Foundation
"Sharjah Biennial 11" curated by Ms. Yuko Hasegawa has opened March 13th. The theme is "Re:emerge, Towards a New Cultural Cartography". We can see the works by 99 artists from 41 countries.
On April 12th,curator Yuko hasegawa and artist Siro Takatani reported of the biennale at Japan Foundation. The biennale has continued by May 13th.
Yuko Hasegawa and HH Sheikh Dr. Sultan bin Mohammed Al-Qasimi at the Opening of Sharjah Biennial 11, 2013, image courtesy of Sharjah Art Foundation
SANAA, Bubble, 2013, installation view, Commissioned by Sharjah Art Foundation, image courtesy of Sharjah Art Foundation
Ernesto Neto,Enquanto a cultura nos separa, a natureza nos une (WhileCulture Moves Us Apart, Nature Brings Us Together), 2013, crochet with polyester rope, ice, stones, plywood, grass, fiberglass, water, clay and wood connectors, and loam, 486.4 x 1,038 x 1,028.6 cm, Courtesy Galeria Fortes Vilaca, Sao Paulo and Tanya Bonakdar Gallery, New York. Commissioned by Sharjah Art Foundation
kamarstudios, Peace Is Not What You Believe, 2012 – 2013, installation, soundscape, video, textile. Co-commissioned by Sharjah Art Foundation, Hamza Serafi and Philippe Lauro-Baranès. Produced by Philippe Lauro-Baranès for kamarstudios-Morocco-KamarMusic and Hamza Serafi for ATHR Gallery, Jeddah. Image courtesy of Sharjah Art Foundation
Otobong Nkanga, Taste of a Stone: Itiat Esa Ufok, 2013, installation view, commissioned by Sharjah Art Foundation, image courtesy of Sharjah Art Foundation
Shiro Takatani, composition, 2013, Fog machine (water, nozzle, pump) and motorised mirror, commissioned by Sharjah Art Foundation, image courtesy of Sharjah Art Foundation
Seigen Ono + Ryuichi Sakamoto + Shiro Takatani, Silence Spins, installation view, image courtesy of Sharjah Art Foundation
Thilo Frank, Infinite Rock, 2013, steel, aluminium, fabric, glass mirrors, wood, rope, light, swing, 13.4 x 9.1 x 6.5m. Courtesy of the artist. Commissioned by Sharjah Art Foundation
Gabriel Orozco, Sand on Table as Model of “Self-Organising Criticality”, 1992-2013, Table, sand and diagrams, Produced by Sharjah Art Foundation, image courtesy of Sharjah Art Foundation
Francis Alÿs, Don’t Cross the Bridge before you get to the River, Strait of Gibraltar, 2008, Video and photographic documentation of an action, Photo: Roberto Rubalcava
SUPERFLEX, with Schul Landscape Architects, THE BANK, 2013, Public space, Bank Street, Sharjah, UAE, image courtesy of Sharjah Art Foundation
Sharjah Biennial 11